The importance of Cadinot's work is its deviation from the work of other houses of pornography. Most pornographic films are composed of long sex-scenes girded by flimsy, laughable dialogue and shallow plots.
The actors are usually well-built white men who go robotically through the motions, moaning "Oh yeah!" That's right!" "Take it all!" at predictable intervals. But the films of Jean-Daniel Cadinot feature characters and storylines that are enriched by sexuality, instead of dime-a-dozen nature films.
Cadinot knew that, sooner or later, watching two faceless strangers bump uglies fails to excite. Pornography's ability to titillate is dependent on believable fantasy. His fantasies usually included young, thin twinks, Arabian men and locations, and actors that were genuinely turned on by the sex they were having.
 1982 |  1982 |
 1980 |  1980 |
GARCONS DE REVES (1981)
Within the secrecy of a confessional, a teenager, hot enough to damn all the saints, shamelessly recounts his longings and homosexual pleasures.
In the luke-warm humidity of a clinic bedroom, the young man will discover the revelations of forbidden pleasures, thanks to the shocking treatments of the nurse and his accomplice in the neighbouring bed.
The quantity and accuracy of the details will soon bring the young priest's vows of chastity crashing down around his ankles.
Is it the beauty of God? Or the beauty of the Devil? It's most certainly not Saint Peter who holds the keys to the seventh heaven ...
When Kevin discovers his boyfriend is cheating on thier anniversary, his friends come to the rescue to find him a quality person. Of course, the best intentions don't always have the best consequences and he swings from bad date to bad date only to discover what he's been looking for is right next door.
FLORES DE INVIERNO
Two young men share their stories about being gay and being in love during their conversation over the the Internet until they have realised that they have already met each other.
“Children don’t choose where they are born, to whom they are born, what type of government rules them, what type of context within which they will grow up, thrive and survive. There is a moral obligation to respond in this crisis. We are all human beings.”
Michelangelo Buonarroti was born to a family of very minor nobility in Caprese, Tuscany.
However, other passions were also stirring beneath the surface.
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